Produced by Bristol sound co-founder the musician-producer, this sharp-edged though undernourished debut feature casts a critical gaze on the ecstasy-fueled club scene. Venal pillhead David (Marc Bessant) initially steals from an unconscious dealer, then in another flashback tries to break into his own parents. In no time, he's upside down in the wreckage of his car in a forest – and subject to the wrathful eye of the Poacher (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with impatience toward townies, he is a fractured society personified: “You’re one of those noisy cunts from up on the heath.”
Unsteady Opening and Darkly Funny Duel
Game gets off to a shaky start, lingering excessively on pedantically chronicling David’s attempt to extricate himself from his safety harness, while clumsily segueing into flashbacks of his normal activities. The central theme – that the rave-era youth were mainly focused on number one – is clearly conveyed. But these vignettes are insufficiently developed to adequately prepare us for what to expect when the Poacher turns up, enraged after David strangles his dog. Nevertheless, a darkly funny duel unfolds – David desperate to escape; the Poacher withholding his jerrycan of cider, determined to soaking him instead in resentful talk. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley.
Stylish Imagery and Music Video Vibe
Just a single important plot development, but it leads to a comically executed chaotic run on the forest trails that dips close to rural terror. Director John Minton finally gets to go all in with his ostentatious visuals: where he was focused intently doing artful shots of insects in the light in the opening part, he now lets rip with the full lysergic grand display, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an extended promo than a complete narrative, but there’s enough bold visuals to suggest that Minton could follow Jonathan Glazer, Garth Jennings et al into making the leap from the UK video industry.
The film is in British and Irish cinemas from November 17.
